Shoot Yourself At pool school, one of the first and most important  analytical tools we use is the video camera. Each player  shoots a standard sequence of four shots, viewed from three  different angles: from the front, from the back, and from  the side. Often, players ask whether they can get a copy of  their video. We chuckle and explain that, after they’ve been  through a day of bridge, grip, stance, alignment, and stroke  training, and then see their “before” video, they will be  offering to bribe us to record over it. Most of us have  burned-in a lot of our fundamentals. Video shows the truth.  Regardless of how “correct” or “natural” you may feel at  the table, you may be shocked at what you actually look  like and what you actually are doing. You may want to  shoot yourself.  Let’s look at how to set up and shoot a “fundamentals”  video. You’ll need a video camera, tripod, pool table, laser,  and some “donuts” (the little white donut-shaped hole  reinforcers sold at office supply stores). It also helps to  have an assistant to run the camera while you’re shooting.  First, we’ll need to establish a perfectly straight line  between the effective centers of two corner pockets, shown  on the diagram below as Laser Line 1. That line runs  through the intersections of the rail gutters (the wear lines a  half-ball out from each cushion nose) at corner pockets A  and D. Use those points to align the laser. Stick donuts on  the cloth at Spots B and C. Set up the camera about 10 feet  back from the table, if possible. Align the camera’s lens  with the same laser line. Adjust the tripod so the camera is  about a foot higher than the table surface.  We also place donuts over the lip of the pocket lining of the  far corner pocket (Spot X) and on the outside of the table  (Spot Y), below the pocket, where the camera can still see  it below the stick when the player is shooting down the  line. And of course, these donuts are also on Laser Line 1.   Use the laser to set up Laser Line 2, dead center between  the corner and side pocket, as shown. Stick donuts at Spots  E and F. This layout is for right-handers. Flip it for lefties.  Stick a donut to the rubber bumper on the bottom of your  cue, to help make it visible on camera.  Place a cueball on Spot B and object ball on Spot C.  Have the player get in position to shoot this shot  down Laser Line 1 toward the camera, into Pocket D.  Zoom in or out until the frame contains the bottom of  the CB to the top of the player (elbow point or top of  head, whichever is higher). Now you’re ready to  shoot the first four shots. Record the player shooting  this shot four different ways: 1) stop shot, 2) draw to  center of table, 3) follow forward to the pocket, 4)  maximum draw, back toward or into the corner  pocket.  Now, reverse the CB and OB so that the shot is  toward Pocket A, with the camera behind the player.  Zoom out to include the top of the player and if  possible, all the way down to the feet. Shoot the same  four shots as above.  Set up the side pocket shot as shown, with CB at Spot  E and OB at Spot F, shooting toward Pocket G. Pivot  the camera on the tripod and zoom until the frame  includes everything from the CB to the back of the  stick, and everything from the player’s feet to  whatever is highest. Shoot the same four-shot  sequence.  Review the video, observing closely. The first eight  shots should be perfectly aligned to the camera and  Laser Line 1. Check to ensure your entire stroke arm  is aligned vertically to the Laser Line—no tilting, no  tucking the elbow in or winging it out. No wrist curls.  Where is your tip? Is it on the vertical axis of the CB?  Where does your tip finish? Does it follow through  the CB adequately? Does it veer off the line? Is your  stick pointed perfectly down the Laser Line? Look at  the donut at Spot X when shooting toward the camera.  The stick should hide the donut; otherwise, it is not  pointed straight down the line. When shooting the  other direction, watch to make sure the donut on the  butt of the stick is aligned directly above Spot Y.  Check out your approach to the shot, your ball  address, practice strokes, eye movements, elbow dips,  swerves, stance, balance, stability, bridge,  smoothness, confidence, hit stroke, and follow-  through/finish. Slow motion viewing can be very  insightful. Warning: What you witness may not be  pretty. You’ll probably see things that will surprise  you—and motivate you to come to pool school.   Tom Simpson is a Master Instructor in both the BCA & ACS Instructor Programs. He delivers his acclaimed 3-Day Weekend Intensive in Columbus, Ohio, and in selected cities nationwide. As inventor of Elephant Practice Balls®, the Stroke Groover™, and the Ghostball Aim Trainer®, and authorized instructor for Secret Aiming Systems™, Tom’s innovations in training have helped thousands of players. Listen to an audio description of the Intensive, and read 35 instructional articles at www.PoolClinics.com Contact 614-975-8337. Tom@PoolClinics.com,